Giuseppe Gorgiano
22/06/09 15:18 Filed in: Main Characters
Black Gorgiano of the Red Circle.
“Oh, he has a European fame, has he? Well, we’ve learned all about him in America. We know he is at the bottom of fifty murders, and yet we have nothing positive we can take him on. I tracked him over from New York, and I’ve been close to him for a week in London, waiting some excuse to get my hand on his collar.” (Mr Leverton)
“Oh, he has a European fame, has he? Well, we’ve learned all about him in America. We know he is at the bottom of fifty murders, and yet we have nothing positive we can take him on. I tracked him over from New York, and I’ve been close to him for a week in London, waiting some excuse to get my hand on his collar.” (Mr Leverton)
“He was a devil and a monster, and there can be no judge in the world who would punish my husband for having killed him.” (Emilia Lucca)
"He was a huge man, as you can testify, for you have looked upon his corpse. Not only was his body that of a giant but everything about him was grotesque, gigantic, and terrifying. His voice was like thunder in our little house. There was scarce room for the whirl of his great arms as he talked. His thoughts, his emotions, his passions, all were exaggerated and monstrous. He talked, or rather roared, with such energy that others could but sit and listen, cowed with the mighty stream of words. His eyes blazed at you and held you at his mercy. He was a terrible and wonderful man." (Emilia Lucca)
In the middle of the floor of the empty room was huddled the figure of an enormous man, his clean-shaven, swarthy face grotesquely horrible in its contortion and his head encircled by a ghastly crimson halo of blood, lying in a broad wet circle upon the white woodwork. His knees were drawn up, his hands thrown out in agony, and from the centre of his broad, brown, upturned throat there projected the white haft of a knife driven blade-deep into his body. Giant as he was, the man must have gone down like a pole-axed ox before that terrific blow. Beside his right hand a most formidable horn-handled, two-edged dagger lay upon the floor, and near it a black kid glove.
"He was a huge man, as you can testify, for you have looked upon his corpse. Not only was his body that of a giant but everything about him was grotesque, gigantic, and terrifying. His voice was like thunder in our little house. There was scarce room for the whirl of his great arms as he talked. His thoughts, his emotions, his passions, all were exaggerated and monstrous. He talked, or rather roared, with such energy that others could but sit and listen, cowed with the mighty stream of words. His eyes blazed at you and held you at his mercy. He was a terrible and wonderful man." (Emilia Lucca)
In the middle of the floor of the empty room was huddled the figure of an enormous man, his clean-shaven, swarthy face grotesquely horrible in its contortion and his head encircled by a ghastly crimson halo of blood, lying in a broad wet circle upon the white woodwork. His knees were drawn up, his hands thrown out in agony, and from the centre of his broad, brown, upturned throat there projected the white haft of a knife driven blade-deep into his body. Giant as he was, the man must have gone down like a pole-axed ox before that terrific blow. Beside his right hand a most formidable horn-handled, two-edged dagger lay upon the floor, and near it a black kid glove.